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Perpetual Displacement?
A closer look at Mahdi Fleifel’s To a Land Unknown
"In a way, it’s sort of the fate of Palestinians not to end up where they started, but somewhere unexpected and far away."
(An)Aesthetic of Disaster
Interview with
Omar Mismar on A Frown Gone Mad
I had wanted to explore Botox (and fillers) as a "postwar aesthetic"—something shaped by trauma, a mask against violence.
beyond right and wrong
unpacking scandar copti's happy holiday's
Happy Holidays is not an easy watch. But it is an essential one. Copti holds a mirror to Palestinian life in Israel, and what it reflects is not just cracked but fractured into competing truths, painful loyalties, and impossible choices.
happy holidays at ALFILM #16
a conversations with
Scandar Copti
Stereotypes reduce people to one-dimensional roles. In the Palestinian context, they often serve political agendas, portraying us as either victims or threats, while ignoring our emotional depth and the diversity within our communities.
podcast x Alfilm
what stories are shaping arab cinema today
The notion of identity runs parallel with that of borders, for how else do we know what we are from what we are not? Physical confinement means further psychological isolation.
STATELESS CINEMA, REVISITED
On Turtles Can Fly
Beyond the Ban: Methods to Preserve Free Expression
Imagine a film smuggled on a USB stick across borders hidden in a birthday cake – if you‘re wondering if that’s a funny idea for a script or a true story, read on!
Finding Home in a Kingdom of Strangers: A Conversation
with Randa Ali
«My films stem from my own emotions, memories, and unresolved burdens that occupy me as an individual»
If These Walls Could Listen
On July 1, 1934, at approximately 5 p.m., Egyptians tuned in to the Cairo Egyptian Radio Station to hear Ahmed Salem utter what would become one of the country’s most iconic phrases, "Huna Al Qahera" ("This is Cairo").
Series: Women in Cinema#1 A Window through the Screen
Representation of Iranian women in post-revolutionary cinema using the example of The May Lady by Rakhshan Banietemad.
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podcast x alfilm
what stories are shaping arab cinema today?
This episode is an exclusive backstage pass to ALFILM's 16th editions, unveiling the groundbreaking films set to ignite conversations and challenge perspectives.
beyond right or wrong
a conversations with Scandar Copti
happy holidays at ALFILM#16
a conversation with
scandar copti
Interview with Omar Mismar on A Frown Gone Mad
Beyond the Ban:
Methods to Preserve Free Expression
Imagine a film smuggled on a USB stick across borders hidden in a birthday cake – if you‘re wondering if that’s a funny idea for a script or a true story, read on! ("This is Cairo").
Finding Home in a Kingdom of Strangers: A Conversation with Randa Ali
Finding Home in a Kingdom of Strangers:
A Conversation with
Randa Ali
On July 1, 1934, at approximately 5 p.m., Egyptians tuned in to the Cairo Egyptian Radio Station to hear Ahmed Salem utter what would become one of the country’s most iconic phrases, "Huna Al Qahera"
